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Gambian visual artist Moulaye Sarr joins ART27 Artist Group

Gambian visual artist Moulaye Sarr has joined the ART27 Artist Group, describing his decision as inevitable. “It’s the hub for every Gambian visual artist to present their contemporary art,” he told Senigambia. Sarr emphasised that the group focuses on exhibitions, sales, and mentorship between senior and emerging artists.

According to the invitation he received, Sarr will begin the ART27 Residency Programme in June/July 2026. The residency, valued at D120,000, is designed to provide artists with dedicated time, financial support during the rainy season, and access to materials, tools, and guidance. It also offers cultural exchange opportunities with international creatives, enabling Gambian artists to produce new work and gain exposure beyond the country.

Sarr highlighted the collective’s long-term plan to establish a permanent contemporary art gallery in The Gambia. He described this as a crucial step in giving Gambian artists a dedicated platform and serving as an educational resource for young artists, schools, and communities.

“I have worked alone for a long time, as most of us visual artists have, but it’s a very rough way of life and supporting a family is challenging. Finally, I joined ART27 because I believe together we can push Gambian art to a higher level,” he said. “To be an artist is not just painting and selling. It’s a gift from God, and with this gift comes responsibility.”

Sarr praised ART27 founder Ferenc Donderer, noting his track record of successful exhibitions and sales. “He is not promising money today, but his proven record offers us a chance to work together, to collect our works, to exhibit them, and to show people what Gambian artists can truly achieve,” Sarr explained.

Reflecting on his past, Sarr said: “I was a member of an art association for a long time, but it wasn’t working. That’s why I dropped everything and worked for myself.”

He described Donderer as “a man of clear vision” who is committed to uplifting Gambian visual artists, both in market value and social recognition. Sarr lamented that visual arts remain “a sleeping giant” in The Gambia, not yet part of everyday life for Gambians.

Finally, he called on relevant authorities including the National Centre for Arts and Culture (NCAC) and the Gambian Tourism Board to support ART27 with materials such as paint and canvas, exhibition spaces, and a permanent modern gallery to showcase Gambian art. You can find Moulaye Sarr´s art work and biography at: www.art27gambia.com

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